The Grammies are just starting on TV right now, and while I’m feeling a particularly aggressive amount of apathy toward them this year, I still feel the need to make some comments on the upcoming proceedings. Really, the only consequential awards I give a damn about this year are in two categories:
Best Rock Performance by a Duo or Group with Vocal
Elvis Costello & The Imposters – “Monkey To Man”
Franz Ferdinand – “Take Me Out”
Green Day – “American Idiot”
The Killers – “Somebody Told Me”
U2 – “Vertigo”
And:
Best Alternative Music Album
Bjork – Medulla
Franz Ferdinand – Franz Ferdinand
PJ Harvey – Uh Huh Her
Modest Mouse – Good News For People Who Love Bad News
Wilco – A Ghost Is Born
Let’s run through these one by one:
Best Rock Performance by a Duo or Group with Vocal
Elvis Costello & The Imposters – “Monkey To Man” – My favorite in this category, and one of my favorite tracks of the year. Elvis’ little yelp that starts this song off is without a doubt one of my favorite musical moments of the year. It’s got a great late-60s garage throwback feel about it and is one of Elvis’ most invigorating performances of the past 15 years.
Franz Ferdinand – “Take Me Out” – O the hype on this band, o the overblown hype. I can think of only one other band whose hype has so outgrown their relative value, and that is Maroon 5. These two bands both bore and annoy me at the same time, a feat that is relatively difficult to induce because the two traits tend to cancel each other out.
Green Day – “American Idiot” – All I can say is, good for Green Day. They’ve stuck it out, shed the overbearing weight of trying to be legit in the punk genre, which is notoriously and hypocritically anti, well, everything related to success. I’m not a fan, but I’d be pleased to see these guys take the award.
The Killers – “Somebody Told Me” – I get it, I just don’t really care. Actually, toss these guys in the “hype outweighs value” category I created above.
U2 – “Vertigo” – This is U2 trying real hard to be rockin’ 25 years after they began. So few bands pull it off, and in this case, U2 just sounds like they’re trying to show they can still bring the rock, when what they really do so well anymore are the rousing mid-tempo ballads. There are other better songs on How To Dismantle An Atomic Bomb.
Best Alternative Music Album
Bjork – Medulla – Well, it’s an interesting album, I guess. I was really intrigued by it for a while, then slowly started realizing that I really didn’t like any of the songs on it. I was just intrigued by the concept of “all vocals, no instruments,” but in the end it just bored the living hell out of me.
Franz Ferdinand – Franz Ferdinand – See my first reference to them, please.
PJ Harvey – Uh Huh Her – A sersiously underwhelming album, especially when held up against what she’s accomplished in the rest of her career. Taken by itself, it’s mostly just grating. I really don’t know why this was nominated.
Modest Mouse – Good News For People Who Love Bad News – One of the few examples of an album that gets huge, yet the hype doesn’t overpower the actual music. It’s a grower of an album, which are always the best albums, and I’m glad to see it nominated. Surprised, because I can’t imagine that many of the non-indie rock fans are actually listening to the whole album and not just the two big singles, but glad nonetheless.
Wilco – A Ghost Is Born – The most complex and demanding album of the year, yet the most rewarding, which is why it arrived at number one on my list (tied with two others, however.) This is a more challenging, meaningful, and lasting album than Yankee Hotel Foxtrot, but it will unfortunately never match the impact that album had because it’s far too subtle and lacked the power of the long, well publicised struggle of YHF’s birth. I already know it wins, and deservedly so.
And Bill Frisell won the “Best Contemporary Jazz Album” award for his wonderful Unspeakable. I only balk at his winning simply because, while it is a great album, Medeski, Martin, & Wood’s End Of The World Party (Just In Case) was a better jazz album, but I don’t know that I’d list them as “contemporary” – but what are they?